FINAL RESULTS

After the frenetic rush to finish things in October, and the enjoyable time manning my exhibition, it seems to have taken me ages to come back down to earth and sort all my photos. 

This post-exhibition wrap-up was delayed as I frantically tried to finish making 150 Christmas cards … Christmas Eve was really far too late to post them, wasn’t it?   I’ve also been catching up on lost hours of sleep!

Anyway, here’s the belated story of how my final month of the residency panned out ….

SETTING UP

On Monday 5 November, my husband Dave helped pack everything into two cars, and it was truly amazing that it all fitted so well! 

 

I owe a huge thankyou to my friends Jill Brose, Nat Billing and Floss Wainwright for helping me get everything set up. It was a lot to achieve in one day, and their expertise was invaluable.

THE VENUE

I hung brightly-coloured spinners on the fence of the heritage-listed Richard Randall building, and hoped my display signs woudl attract hoardes of passing visitors.

THE OPENING

For the first few days of the exhibition, the weather had been lovely - fine and not too hot, but unfortunately it rained heavily on the afternoon of my opening (Saturday 10 November).

I had hoped hundreds of people would come (and Dave had reluctantly bought enough food and wine to feed an army) but we weren’t snowed under (in any sense of the word!)
However I can’t totally blame the wet weather for the lack of people, because there were lots of other things on around town that day, and anyway, those who came seemed to enjoy themselves.

Margot MacManus (Visitor Services Officer at the Gardens, and my supervisor/liaison throughout the year) and Ross McKinnon OAM (the Curator) spoke glowingly about what I had achieved and said I had put in 150% effort. They have been very pleased with all the activities that I have organised for visitors to the gardens throughout the year, and all the collaborative projects I have undertaken.

Unfortunately I’ve got no photos of this actual opening, but hopefully people who took some will send them to me!

THE EXHIBITION

It was a great pleasure to talk to the people who visited throughout the nine days at Richard Randall Studio.
If you weren’t able to get there, here’s a snapshot (or two or three) of how it all looked.

Detailed descriptions of these pieces are in my previous posts (leading up to the exhibition) so I won’t repeat them here.

I’ve grouped the exhibits in several separate areas, so, once you get inside, you’ll have to imagine you are moving around the room in a clockwise direction ….


THE ENTRANCE

VISITORS’ TREE (“Branching Far and Wide”)
If you looked up when you first walked in the door, you would have seen the branches of leaves on which many hundreds of my visitors throughout the year have written their names.

 

THE SIDE WALL

The wall on the left took on a real ‘naturey’ look ….

 

GREVILLEA GRANDEUR
(in collaboration with Joanna Faber)

Joanna: photos of grevillea flowers printed on handmade paper
Tricia: descriptive phrases lettered around these images

FASCINATION WITH FOLIAGE
(in collaboration with some members of “Basketcases”)

Nat Billing, Jill Brose, Angela Geertsma & Floss Wainwright: woven and twined leaves from natural fibres
Tricia: three woven leaves with threaded lettering.

 

FOREST FUSION
(in collaboration with Lyn Baxter and Sue Ford)

Framed collage incorporating painting, dyeing, wet felting, embroidery, silk paper, machine embellishing, crochet, knitting, beading, lettering.

TREE OF TAGS
(in collaboration with the “Paper Princesses”)

Marilena Stanton, Celeste Santin, Gaye Todd, Judy Timmins, Kasha Rolley, Margaret Cullen-Erickson & Marlene Lynne-Truman: stamped and collaged tags, all featuring a nature theme.
Tricia: three stamped tags with calligraphy

 

THE BACK WALL

A continuous slideshow featured images of most of my projects during construction and also many of the activities I organised for members of the public.

OTHER VOICES
Visitors were entranced listening to the sounds of nature in a soundtrack composed and recorded by my nephew, percussionist Matthew Horsley.

PAIRED PRINTINGS
(in collaboration with Helen King)

Helen: grevillea and wattle designs printed on fabric.
Tricia: descriptive phrases embellished with gold embroidery.

FRAGRANT FLAGS
(in collaboration with the “Serendipity Art Group”)

Muffin Rowlands, Joy Nelson, Barbara Richardson, Jen Pezaro, Suzanne Clifford, Wendy Perkins & Fay Hayden: double-sided flags inspired by the herbs and flowers in the Fragrant Garden, and incorporating words.
Tricia: one panel featuring roses and lettering.

 

THE ACTIVITIES DISPLAY

Throughout the year I have organised many activities for members of the public who visited the gardens.
On this table I displayed some of the things we had made ...

• “Year of the Farmer” Easter Holiday Activities (Origami Butterflies and Ladybugs, Wacky Windmills, Fruit & Vegetable Printing)
• Mothers’ Day (Card making)
• Tree of Hope (for World Environment Day)
• June exhibition (Nature Printing)
• Winter Solstice (Wreaths, Candle-holders)
• Far Out Forests (Wearable Art from Nature)
• Japan Week (Origami Cranes for World Peace, Stars for Tanabata)
• Web words (Writing messages on webs)
• September Holiday Activities (Fascinating Fibonacci Fun - Books, Spring Celebration - Light Catchers, Water Dragon Dalliance - Jewellery)

THE FAR WALL


SWISHY SWATHES

This small garland was a token representing the larger swathes currently decorating various locations in the gardens ...

• in the Bus Stop shelter shed
• in the Tropical Dome shelter shed
• in the Fragrant Garden shelter shed
• on the fence near the café
• inside the Gardens Tour Bus
• above the Garden Room seat

Gay McEwan, Joanne Jayne, Tess Murray & Felicity Clarke: some of the fabric flowers and leaves.
Tricia: crochet, knitted, fabric flowers, leaves and vines

TROPICAL PROFUSION
(in collaboration with my cousin Gay McEwan)

Gay: fabric flowers and leaves
Tricia: crocheted and knitted flowers, leaves and vines; lettering; garment design and construction

FLOWERS OF FRIENDSHIP
(in collaboration with 355 friends)
This project was assembled but not fully finished for my June exhibition, and then more people wanted to contribute, so some of the squares had to be rearranged!
There are now 495 flower squares joined into eleven hangings.

Participants (aged from 2 to 92 years): painting, patchwork, appliqué, crochet, knitting, lacework, candlewicking, goldwork, cross stitch, canvas embroidery, bullion stitch, beading, felting, dyeing, weaving, hand made paper, fabric collage, photography, paper tole, quilling, machine embroidery, paper collage, button work, thread painting, screen printing, basketry, ceramics, metalwork and more.
Tricia: one flower square for each of the eleven hangings; construction; lettering on joining strips

Some of my visitors spent hours looking at the flowers carefully, analysing the variety of techniques and choosing their favourites!
I have created a list showing the location of each participant’s flower(s), so if you want to know where a specific one is placed, or you’d like a close-up photo, please just ask.

 

 

BUTTERFLY CASCADE
(in collaboration with friends from “Scattered Arts” Community Gallery)

Ailsa McEvoy, Pam O’Reilly, Barbara Merrin, Kit Thomas, Wendy Goode, Helen Reid, Patsie Wishart, Carolyn Morgan & Jan Steer: 3D butterflies in stitched fabric, cut paper, painted plastic, beaten metal, knitting, crochet, silversmithing and more.
Tricia: one butterfly in ‘stained glass’ paper collage with lettering; flowers and leaves for the foliage on top.

NATURALLY INSPIRED
(in collaboration with "Pulp Action")

Joanna Faber, Ngaire Macleod, Sandra Pearce, Jan Pearce, Jill Brose & Nat Billing: papier-maché cones made from plant-fibre paper, embellished with plant materials and found objects.
Tricia: one cone made from banana paper; lettering on other cones

EMERGENCE
(in collaboration with Jill Brose)

Jill: basketry structures in natural fibres (stylised cocoons, seed pods and nest)
Tricia: lettering on fabric strips and papier-maché balls

THE MERCHANDISE AREA

On the wall closest to the street and on the back of the entrance wall I set up a display of some of cards, artist books, boxes, jewellery and other merchandise which I have been selling in various galleries over the last few years.
On these tables there was also information about various craft groups, publicity cuttings, the raffle prize (won by Naomi W), my visitors’ book and the leaves for visitors to sign.

 

WAXING LYRICAL ABOUT NATURE
(one of my non-collaborative projects)
These boards feature words and phrases about nature, as well as plant materials and paper cut-outs, encased in layers of clear and coloured encaustic wax.

BRANCHING FAR AND WIDE
The Visitors’ Tree looked very luxuriant from this side of the room!

 

 

Now that your virtual tour has taken you full circle round the outer perimeter of the room, it’s time to explore the tables in the centre … but first here’s some general shots (travelling around the room clockwise).

THE CENTRAL TABLES

A-I-R MAIL PROJECT
(in collaboration with hundreds of people)
People from all around the world decorated and posted 249 envelopes with a nature theme.
On the left hand side of each one I had added a strip with holes, and I decided to group them based on the sender’s location. They were bound with rings and this meant that, as they were constantly rotated, a selection of different ones were on top of each pile throughout the exhibition.
Some of my visitors spent several hours admiring the collection and examining each one in great detail.

 

THE IMPORTANCE OF TREES
(one of my non-collaborative projects)
I created this scroll to celebrate the diversity of plants throughout the world, many of which are represented in the microcosm of the gardens at Mt Coot-tha.
The scientific names of all the families of trees throughout the world are written on a background collage of different handmade papers. Important requisites for human survival are lettered in gold) over the word “biodiversity”.

FLORAL FOLDS
(in collaboration with some of the staff and volunteers at Mt Coot-tha Gardens)

Ray Steward, Paul Harrop, Jankees van der Have, Jill Don, Jan Costin & Elspeth Galletly: close-up photos of flowers at Mt Coot-tha.
Tricia: square format prints folded into kaleidoscopic origami shapes; cornucopia basket for display.

JAPANESE GARDEN REVERIES
(in collaboration with my sister Alison Horsley)

Alison: haiku poetry
Tricia: calligraphy, photography, book design and construction

BOOK SWAP - “Plants” theme
(in collaboration with 11 friends)

Nat Billing, Lorelei Clark, Susan Doel, Joanna Faber, Ngaire Macleod, Jan Pearce, Sandra Pearce, Elisa Ristuccia, Lyn Rushby, Kaye Stanton & Annette Waraker: a handmade book about plants.
Tricia: “Japanese Garden Reveries”

WATA THE WATER DRAGON
(in collaboration with my sister Alison Horsley)

Alison: children’s story about a water dragon living in the gardens at Mt Coot-tha
Tricia: fabric lizard
Future plans: make six more lizards, photograph them at Mt Coot-tha and create a book.

 

NATURALLY COLLABORATIVE
(in collaboration with many members of “Book & Paper Group”)

Nat Billing, Jill Brose, Elaine Buhmann, Christine Butler, Elizabeth Cresswell, Sue Ford, Karin Hannigan, Di Harwood, Vicki Jones, Claire Nixon, Jan Pearce, Sandra Pearce, Rosemary Phillips, Yvonne & Alan Ritson, Lyn Rushby, Heather Salmon, Carmel Schneider, Maria Shaw, Kym Textor, Judy Timmins, Lena Tisdall & Annette Waraker: a page with a nature theme.
Tricia: a double sided page with stamping and calligraphy; book cover & construction.

ENVIRONMENTAL EXHORTATIONS AND ELUCIDATIONS
(in collaboration with various friends throughout Australia)
Tricia: book design and construction; calligraphy of quotes by environmentalist John Muir.

• Carolyn Morrisey (Melbourne): computer art, collage.
• Erica Michaux (Brisbane): drawings, paintings.
• Annette Sibson and friends from “Fibres & Fabrics” (Townsville): collage.
• Marilena Stanton, Celeste Santin & Kasha Rolley from “Paper Princesses" (Qld & NSW): drawings, collage.
• Jane Rundle and her friends and family (Brisbane): drawings, collage, quilting.
• Judy Barrass and friends) from Wallace House (Noosa): drawings, collage.
• Zela Bissett, Gympie drawings, collage.
• Susan Pietsch (Brisbane); collage.
• Sonja Smout (Brisbane): doodles, collage.

 

TANGLED NATURE
(in collaboration with most members of “Book & Paper Group”)

Vashti-Sita Bardsley, Nat Billing, Jill Brose, Elaine Buhmann, Christine Butler, Pam Cox, Elizabeth Cresswell, Bronwyn Edwards, Lynne Fellowes, Sue Ford, Di Harwood, Vicki Jones , Ngaire Macleod, Claire Nixon, Jan Pearce, Sandra Pearce, Rosemary Phillips, Alan Ritson, Yvonne Ritson, Heather Salmon, Carmel Schneider, Maria Shaw, Marilena Stanton, Kym Textor, Lena Tisdall, Ann Volter & Annette Waraker: black pen and graphite pencil doodles.
Tricia: book design & construction.
Jill: extra doodling to fill gaps and unify the designs.

WOVEN WORDS
(in collaboration with Jill Brose)

Tricia: composing descriptive phrases & lettering these on paper strips
Jill: design and construction of 3 baskets

INTEGRATE / DISINTEGRATE
(in collaboration with "Broadstrokes")
Bundles of materials were hung in trees and buried, and decomposed over 3 months

Suzanne Marshall, Kate Oszko, Kathryn Iliff, Jane Rundle, Mel Forrest, Merody Buglar, Chris Jones & Sue Dennis: A3 page created from decomposed materials
Tricia: one page from my bundles; design & construction of book

 

BIODIVERSITIES
(one of my non-collaborative projects)
Each page of this book is made of a different natural fibre paper, and features one letter of the word “biodiversities” drawn in the shape of a tree, and each page also has a word starting with this letter, which combine to form a coherent sentence…. Biological Individuality Of Diverse Interesting Variable Ecosystems Requires Systematic Investigation To Improve Environmental Sustainability.

FLORAL FANTASY
(in collaboration with Jill Brose)

Jill: three abstract flowers in fabric, wire and beads; design of project
Tricia: descriptive phrase lettered on ribbon

BOOK SWAP - “Seasons” theme
(in collaboration with 5 friends)

Nat Billing, Susan Doel, Gill Pyke, Annette Waraker & Robyn Wood: a handmade book about the seasons.
Tricia: a pyramidal book with quotes in calligraphy.

FOCUS ON NATURE
(in collaboration with many others)

70 people from all over the world: email photos of plants (close-up detailed views).
Alison Horsley: poetic phrases to accompany the images
Tricia: calligraphy, book design & construction

This project was not finished in time for the November exhibition, but should be completed early in 2013.



ARACHNID ARTISTRY
The spiders' webs remained on display in the trees near the Gardens entrance until early December.

.... This is getting way too long, and even my most dedicated followers will be tuning out, so I’ll continue the ‘rest of the year’ saga in my next post.